« Believe me, go and stay away from Tandal. You don't need to know more, and pray you never need to. »
The Ducs of Spadelpietras' destiny is assured. Undisputed. Their rise towards power, the crown and their rightful place at the forefront of the world. They are the peacemakers, the builders, the governors of Slasie. They are the Greats.
But the nomadic folks called the Austrois barely notice it. Their world is made of theatre, music, art and inventions of which they tightly keep the secret. Their life is as a controlled routine as their automatons.
However, a small thing comes in the mechanics of history. A painting is discovered by the Spadelpietras that throws its painter, young Mical, into a dangerous flight... and puts the country, its folks, nobles and artists, into the first winds of the worst storm of their time.
Book 1: The Call of the Greats
Low fantasy
Adventures
Technology
Political plots
Cursed families
Clockpunk
Release date: Sept. 2015
Paperbacks publishers interest: rights sold
Two books
Natural decor close to Italian landscapes
Vast universe that extends beyond the book
Existing contacts for a role play adaptation
Book 2
The Awakening of the Fallen
Release: February 2017
Trailer
Music, drawings, political sciences, martial art, philosophy, writing... since his birth a morning of March 1983, Romain Delplancq bullies a lot of fields with as much enthusiasm as amateurism.
It has been a while now that he began to set his teeth in the publishing industry. To him, composing his first novel as an homage to all these activities was the least he could do.
Except maybe for martial arts, it will be for another time!
Mical
Orphan, Lydie’s husband, Valens’ father
Age: from 19 to 24
Physical description: Brown straight hair, latino type. His eyes are his main trait: one of them is gray, like his father and uncle. At 19, he wears his hair long and tied. At 24, he keeps it short.
Qualities: he’s a genius painter, open-minded but really perceptive, true to his heart in every emotion.
Defects: clearly hasn’t got a well-developed survival instinct.
Psychological characteristics: his sense of observation, tightly linked to with his painting skills, turns through time into an almost supernatural ability to understand reality.
Main character around whom the plot revolves, Mical is a young man who doesn’t know his parents. He grew up in Meris monastery. As a teen, he develops great painting skills, skills hopefully supported by the monks who try to put the monastery forth. At 19, his genius begins to be noticed outside his country. Unfortunately, a chain of events urges him on the roads and forces him to leave an otherwise well planned career. He joins the traveling performers clan Dael, and despite the odds, fits n quite well, even marrying Lydie, the young Chief, with whom he has a son, Valens.
He is someone who fully lives his life, as sincere in his bravery as in his fears. His main trait is his open-mindedness and his sense of observation. At 19, those characteristics make him look more naïve and candid than anything. But at 24, helped by fatherhood, he is more responsible and with a sharper mind, so much so that toward the end he becomes the only character to still clearly perceive the violence of the events.
DAEL LYDIE
Blasio and Sophia’s daughter, Philio and Basil’s sister
Age: form 19 to 24
Physical description: her complexion is close to olive skin, in an oriental way. She wears her hair short, Austois style.
Qualities: serious in all situations, brilliant automaton maker, she has a great ability to analyse, she didn’t marry Mical for nothing. Lydie is one of the youngest Austrois Chief, and is respected by her clan.
Defects: she can’t forget the level her parents acquired when they were at the head of the clan, thus she can be coldly authoritative when in adversity.
Psychological characteristics: Lydie tries all the time to tune the necessary action to the survival of the clan with the continuity of the clan’s soul and its way of living, believing it has a universal importance.
CYRIL
Mical’s uncle, Jeffrey’s brother
Age: from 31 to 37
Physical description: has a gray eye like his nephew and his brother. Tall and thin, his brow always bared with dirty strands of hair. Looks like Viggo Mortensen in Alatriste.
Qualities: he’s an Argyras, probably the best but doesn’t know it, which makes him the best warrior in the world. He a simple and loyal man.
Defects: he has the education of a second son and a soldier, he isn’t use to contradict orders or take command.
Psychological characteristics: Cyril enrolled in the army in order to find his brother, whom he always worshiped. At first, this is in submission that he agrees to protect Mical. However, he finds with his nephew and his new family something he will want to stand up for. He will slowly emancipate himself from the shadow of his brother.
LE PRINCE
JIANI SPADELPIETRA
Age: 17
Physical description: considered to be handsome by his subjects, however his beauty his more cosmetic than real.
Qualities: he’s got a talent for music, and he also is a good fencer. He is an idealist and genuinely believes in his family’s values.
Defects: he is a spoiled child who hasn’t see much of the world and who arrives everywhere as a bull in a china shop. He is not much into court games.
Psychological characteristics: Jiani, like every Spadelpietra, reacts to the Call. But his music and his relationship with Philio will help him stay clear-headed and escape Tandal.
DUCHESS
JANA SPADELPIETRA
Jiani and Silva’s mother, Bendetto and Vittor’s sister
Age: from 34to 40
Physical description: tall, thin, regal brunette. Looks like Lara Pulver in Da Vinci’s Demon (see picture).
Qualities: highly intelligent, she masters the political games of Tandal.
Psychological characteristics: she has suffered from a light kind of autism that prevented her to answer to the Call, psychologically conditioned by her family’s legacy. But age and traumatisms from her teenage years made her weak. She is one of the most intelligent person in the world, with an extreme strength of will, but she spends most of her time struggling with herself. She helped Sybille to create the Black Mass Society, knowing her friend would be likely to arrest her someday but failing to prepare her efficiently.
VITTOR SPADELPIETRA
Silvano’s son, Jana and Bendetto’s brother
Age: de 30 à 35 ans
Physical description: tall, lean, and muscular, hair cut close and the beginning of a bald patch (think Stannis Baratheon in Game of Thrones).
Qualities: fearsome fighter, maybe one of the best.
Defects: ruthless, Vittor exists only to fight, command his troops and get better at it.
Psychological characteristics: he was already a hard and violent man before the Call – which only enhances madness. Fiercely loyal to his sister and his father, his conflictual and bold character urged him at only eleven to draw his sword against Jeffrey, who was fifteen. A souvenir that left him a scar on the temple and a bitter feeling of helplessness. Thinking himself unable to protect his sister afterwards had him spend his life to train and become one of the most formidable fighter of his time. Before the Call, he already was proof that the House of Spadelpietra was also touched by human weaknesses and could hatch men consumed with a lust for power.
DAEL BASIL
Blasio and Sophia’ son, Philio and Lydie’s younger brother.
Age: from 12 to18
Physical description: round face, curly hair.
Qualities: bold and smart, designs automatic weapons, dedicated to his clan.
Defects: hung up about being the third child, doesn’t hesitate to use violence.
Psychological characteristics: Basil, because of his experience and traumatisms, thinks he is the only one really ready to do everything, even dirty work, to save his clan. Unlike Lydie, he doesn’t care to much about the Austrois spirit which reveals his pragmatic mind and his opposition to his father’s education.
He is Lydie’s little brother, he is eight years younger. If the story begins when he is twelve, the main part happens when he is seventeen. He has a touchy and sarcastic nature, not willing to share his secrets easily, however he is completely dedicated to his clan and family. Lydie, while dreading some of his initiatives, acknowledges his intelligence and gives him a lot to do.
When the Daels secretly introduce themselves in Tandal to investigate the theft of their technology, it’s Basil who accomplishes most of the spying work, even when it induces violence and fights.
He is an excellent automatic weapon designer and shows a formidable talent to use the technology. His boldness and his natural sense of tactics make him more and more admired by his peers. Thus, in Lydie’s absence when the Austrois will have to flee through Slasie, Basil will naturally take the lead.
Basil is a teenage full of complexes and contradictory ambitions. As a child, he stands as the defender of his autistic brother while strongly feeling his place as the youngest, especially when his father refuses to consider him to take the lead of the clan after his passing. As a teenager, he is deeply wounded by the treason of his friend and lover, Rek, a young Austrois also keen on designing weapons, who decided to flee his clan by selling the plans/blueprints they conceived together.
At sixteen, Basil decides to go after him to kill him, a decision he hides from everyone. This is a turning point for him. From this moment, he takes responsibility to be the one to get his hands dirty for the wellbeing of his clan.
L'Appel des Illustres - The Call of the Greats, book 1 summary
In the town of Liarnes, a young conductor and his orchestra finish their concert under the applause of the public. The final bow is interrupted by the apparition on the stage of a young boy, who whispers something in the conductor’s ear. They discreetly leave the audience and the musicians. The artist is Philio, the boy Blasio, they are brother and their father, Blasio, requests their presence.
Blasio, an old inventor, is chief of clan Dael, which counts about three hundred musicians, dancers and inventors – all members of the nomadic people called the Austrois – who travel Slasie, the country where the story is set. The Austrois succeed in keeping their independence thanks to the secret technology they have in their possession, the tensors, batteries able to store large amounts of energy. Blasio summons his wife Sophia and their three children to reveal he has a terminal disease and he doesn’t have long to live. Of his three children, this is his daughter Lydie that will succeed him to lead the clan. With Sophia, they decide to go south, in order to bury the old patriarch in Sihil, the Austrois’ refuge city.
A few months before, some hundred miles away in the capital city of Tandal, a gallery owner shows to a child his paintings. She is an eleven years old aristocrat and belongs to the great Spadelpietra family. A bit frail she has to use a wheelchair, but shows a genuine interest towards the paintings. At the sight of one of them however, she suffers a lethal epileptic seizure. Learning the news, the duchess Jana Spadelpietra decides to cease every paintings of the gallery, and gives a mysterious task to do to Sybille, her secret agent. She tells her to find the painter at all price. At the same time, other members of the family travel back to the city for the funeral: Bendetto, the duchess’ younger brother, and Amadi, an eccentric cousin who brings his Oriental adoptive son with him.
The painter is young Mical, he is nineteen, and is easily recognizable thanks to the colour of his eyes: one is brown, the other steel gray. He lives knowing nothing of this affair at the monastery of Meris, located in a village, lost among the hills. There, he improves his talents and begins to get famous. Asked a lot for his art, he declines the first invitations coming from the Spadelpietras. So much that they order men to go and kidnap him. Mical is saved by Cyril, a man he doesn’t know but who seems to keep an eye on him and kills all his assailants. Distressed, Mical wants to flee the monastery. To let things cool down, he decides to find the old Austrois patriarch he met some years before and helped him learn how to paint.
This is how the Daels’ path crosses with Mical’s, who succeeds to find them, scruffy and starved. Unfortunately, he is too late to see the patriarch alive. The family is upset and the clan not ready to believe in his story, least of all protect him. However, against all odds Sophia gives him shelter.
The Austrois are practical folks, shortly Mical’s talents are appreciated and used. The children of the patriarch slowly warm toward him. Along the road to Sihil, a technical problem happens that forces them to make a detour to the city of Armacita. This is a military city, hold by the strong hand of Vittor Spadelpietra, brother of the duchess and commandant of the armies of the Kingdom. Vittor is overbearing and bad tempered and forces the Daels to do a performance in return of the material they need. The performance uses Mical’s paintings as settings. The next day, when they arrive at the town’s mills to charge the tensors, they find them damaged. Lydie, who inherited her father’s knowledge, helps to fix the mechanisms. The one responsible for the sabotage, on of Sybille’s agent having recognised Mical, panics and tries to kill Lydie. Vittor Spadelpietra kills the man himself, which only proves none of the Spadelpietras are aware of the duchess’ plots. The Daels leaves the city in a hurry.
The caravan takes the road again but is taken in an ambush soon after by unknown men. This time, the clan is ready to act. Their vehicles are auto-propelled and full of hidden weapons. The Daels take care of the assailants, urging to Perto-Nevo, the great harbor of the South, from where they embark for Sihil.
In Tandal, Sybille has to revise her plans to trap the painter but she is confronted by Amadi who seems to know everything about the mystery of the paintings. He is also aware of her secret missions and disapproves. The old man doesn’t say more, leaving Sybille deep in thoughts.
The story moves five years forward. We find the Daels near Sihil, they stayed there the whole time. Mical is now perfectly included, he married Lydie who became Chief. They have a son together, called Valens, who grew up in the city refuge, surrounded by his uncles and grand-mother. Sybilles’ agents, having found back Mical’s trail, take action and kidnap Valens in order to proceed to an exchange with his father. Mical, sick with worry, agrees to meet them, secretly escorted by Basil. Once arrived, the exchange is done. At the last moment, Cyril, the stranger who already saved Mical’s life, reveals himself among the mercenaries and, with Basil’s help, kills the kidnappers before passing out, wounded. Mical and Basil take him with them. When he comes back to his senses, he introduces himself as Mical’s uncle, on mission to protect his nephew in loyalty for Jeffrey, the father Mical never knew. Indeed, Jeffrey let his son to the monastery when he was little but came back eighteen years later to ask Cyril and the reverend Father to keep Mical far from Tandal and the Spadelpietras. The Daels don’t know what to make of it but are decided to counter-attack after this aggression inside the walls of their city refuge. Soon, the betrothal between the Spadelpietras’ heir and the daughter of the King of Tandal will be an excuse to several months of celebration. This will be the perfect occasion for them. Mical, to be sure, accompanies the clan. Moreover, they find another reason to act. They have found an unknown tensor in the possessions of one of their attackers, which proves the secret of their technology has been betrayed.
Months goes by and the festivities approach. In Tandal, the heir Jiani Spadelpietra, his sister Silva and Kmal, late Amadi’s adoptive son, enjoy their last peaceful moments before Jiani’s engagement. He is the perfect young prince, beautiful and generous, but a bit naïve. His twin sister is cleverer and a bit rebellious, whereas Kmal practices as much as he can to be worthy of his adoptive family. Tandal preparing for the celebration and the whole world seems drawn to it. However, there are tensions between Jiani and his mother. Her children suspect her to play some unknown political games.
On their part, the Austrois have sent four clans to put on the show. The Daels are hidden among them and begin to infiltrate the city. Only Philio the composer is officially present, his reputation being worth an official invitation to the king’s court. Mical is undercover with Lydie and Basil, escorted by Cyril. But since they arrived, he suffers strange psychological troubles that affect his behaviour. Lydie’s attention is divided between, the investigations and her husband’s condition.
Jiani is fascinated by the Austrois, especially by Philio’s music and goes incognito to see him. He goes to see them several times, motivated by his secret passion for music. Quickly, his sister follows him. Wandering in the Austrois’ camps, she is inexplicably attracted by Mical’s caravan. Her meeting with the painter and his pieces induces the same instinctive panic as the one that killed her cousin at the beginning of the story. Frightened, she talks about what happened to her brother. They know the story of the cursed painting, even that their mother secretly ordered to find the painter. Jiani and Silva knows where the painting is and decide to go see it another time in the palace’s dungeons.
While the twins investigate, their cousin Kmal realises several things goes wrong. One of his father’s vassal comes to visit him secretly, on mission for his suzerain. In a hurry to leave the city, the man leaves him a book with annotations that should have landed in his father’s hand. It appears to relate some events that happened during the duchess and her brothers’ youth, concerning their association with someone called Eye-of-Frost. Kmal tries to learn more questioning Bendetto Spadelpietra, but he remains elusive. Kmal feels a sick atmosphere spreading in the palace. The members of the family become aggressive towards him with no apparent reasons, even Bendetto is more distant and absent.
The Daels find the organisation through which they were attacked, it’s called the Society of the Black Mass. It seems to be a network of spy at the service of the Spadelpietras. In fact, this is Sybille’s organisation. This is Basil who succeeds to get hold of a list of names. With his sister, they set up a coup to steal one of the unknown tensors. This time, it bears the signature of its designer. Lydie, appalled, recognises her mother’s.
Regarding their investigations, Jiani and Silva enter the dungeons and find the painting. Silva easily identifies the similarities with what she saw in Mical’s caravan. The two teenagers decide to go see him again in order to know more and understand what their mother has against him. A few days later, they introduce themselves under their true names. The meeting between them three is cut short. The duchess, aware of her son’s interests towards the Austrois thanks to Sybille, asked her brother Vittor to follow Jiani, circle the camp and take Mical. Vittor, who saved Lydie’s life, now seems taken by a murderous madness. With pure cruelty, under the eyes of a hidden Lydie, he kills an old Austrois who tries to intervene, before forcing Mical to follow him and humiliating Jiani. Cyril, who was away, witnesses what is happening to his nephew and rushes furiously to join the scene. At the last moment, Basil knock him out, preventing him to be killed. From this event, Lydie and the Austrois decide to begin a true vendetta against the House of Spadelpietra.
At the palace, a violent argument burst between the duchess and Sybille. The way Jana let her spy in the unknown about Mical’s capture and let free rein to Vittor, convinced Sybille that the duchess worked against her and the Society of the Black Mass’ mission – which was to prevent the Spadelpietra’s to answer the Call, a mysterious mental conditioning that consumes them all one by one, driving them crazy and malevolent. Mical could play a part in all this, however, this is now clear that Jana captured him not to use him but to make him disappear. Sybille takes flights, resolute to pursue her mission.
As for Mical, he is left in the dungeons, his gray eye torn from its socket, after a last cruel act of the duchess. Still tormented, he feels like he is becoming truly mad, until he perceives a kind of telepathic message from someone who would have thought about the possibility of his imprisonment. The voice claims to know how to prevent Mical from madness. The entity gives its name; this is an echo purposely let by Amadi, who recognises Mical as Jeffrey’s son, a man he knew well and was nick-named Eye-of-Frost when he was young.
The choice to cut the story in two parts echoes the rhythm of Frank Herbert's Dune, the final events before the end of volume 1 is for the hero a turning point that will produce radical changes for him.
Spinoza, Simondon and Marx's philosophies were bedtime readings for the author when he was writing his book. Thus they nourished his thoughts about art, technique and their importance for the mind.
Amadeus, Milos Forman
Steamboy, Otomo
The Name
of the Wind,
Patrick Rothfuss
Ayesha, Ange
The Way of Shadows,
Brent Weeks
SETTINGS
Slasie looks like Northern Italy. Tandal could be an immoderate blend between Florence and Milan. There can be found three architectural marvels: The Albaroc (like a Florentine Duomo sited upon a rock), Armando Palace (bigger but sober and more functional) and the Great Dam.
The village of Meris is nestled in the elbow of a river and hills, still in a Mediterranean flavour.
Sihil, the Austrois refuge city, is a clustering of caravans in the middle of the desert.
Tandal
Sihil
Meris
INSPIRATIONS
Caravaggio’s paintings and their later developments (tenebrism) are the inspiration for Mical’s work. We can add a touch of Turner in his way to capture the sunlight.
Philio creates a music so complete it seems to anticipate years and years of musical researches. In this light, he would be like Beethoven.
If Philio can be compared to Beethoven, the main musical piece that helped in the writing of the story is Rimsky-Korsakov’s Scheherazade, for its evocative power of travels and adventures, mixed with two Chilly Gonzales’s albums of piano solo, appreciated for their character light and mechanical.
The Book
Gallery
Characters
Summary
References
Inspirations
Blood of Princes